![]() Trilian features Spectrasonics’ state-of-the-art browser, which lets you navigate sounds by searching, browsing through attributes/tags, or flipping through images. You’ll have no problem finding just the sounds you need. When you play a bass line with repeated notes, Trilian plays subtly different samples - that way your tracks sound musical and dynamic. The presets dont have keyswitches like the Kontakt ones to trigger slap for example, you instead use velocity to trigger which is a more natural approach imo. Spectrasonics announced and previewed their brand new virtual instrument Trilian, the long-awaited successor to their award-winning Trilogy bass module. ![]() One feature to help give you those natural lines, though, is Trilian’s extensive “Round Robin” sampling feature. Trillian From Spectrasonics Virtual Instrument Dedicated To Bass Bass is often the one instrument that can fill the low-frequency void in podcasts. Trilian is bright, fat and every preset is ready to go, meaning theres no need to add compression and I know as a bass player, the biggest challenge is getting your bass to sound good. Trilian is all about giving you natural-sounding bass lines when you want them - though you can always take them in your own unique direction using Trilian’s integrated FX racks. ![]() You can use any of the Trilian sounds right inside Omnisphere, so you can stay in the same environment as you develop everything from bass to melody to ambient pads and effects. Also, because Trilian and Omnisphere are based on the same engine, Spectrasonics made them fully compatible with one another. What you get, are tremendous expression and realism - Trilian lets you sculpt and adjust all the right controls, to bring your bass tracks to live. Spectrasonics based Trilian on their advanced STEAM Engine technology, first introduced in Omnisphere. Loaded with enhanced versions of all of the original Trilogy bass sounds, Trilian is packed with tons of new acoustic bass, electric bass, and synth bass sounds - all unbelievably rich sounding, and ready to serve as the strong foundation your tracks have been needing. The instrument provides a new level of expressiveness, along with powerful editing and impressive sound quality. Here’s the official intro, featuring Greg Phillinganes + Taylor Gordon (The Pocket Queen) jamming and having fun with some of the sounds of Trilian 1.Trilian takes the enormously popular Trilogy to the next level. Other updates – Trilian 1.5 also features a new Hi-res Resizable User Interface, a new Mini-Browser and new Full Browser, production/browsing features like Sound Match to help you locate any related sounds in the library and Sound Lock, which lets you create useful patch variations by locking sound aspects while browsing other patches.(I used to always use Trillian for upright bass.) It sounds awesome and it nails that rockabilly slap. One feature to help give you those natural lines, though, is Trilian’s extensive Round Robin sampling feature. Trilian’s detailed bass sounds can be creatively transformed using Omnisphere’s deep synthesis options. theres a new upright bass library that came out a month or two ago called 'Back Beat Bass.' I prefer this one now for all my upright bass work. Trilian is all about giving you natural-sounding bass lines when you want them though you can always take them in your own unique direction using Trilian’s integrated FX racks. The new library features a variety of patches designed to showcase the power of combining Trilian and Omnisphere 2. The 1.5 update also includes the new “Trilian Creative” library, a collection of Omnisphere patches designed for users who also have Trilian. New Sounds – Trilian 1.5 features an expanded sound library with over 200 new patches, created by Eric Persing and the Spectrasonics Sound Development team.Full FX Modulation, double the amount of Mod Matrix slots and new modulation sources have also been added, for more sonic control. Expanded Synthesis Features – Trilian 1.5 adds new Filter Types, Enhanced FM, Ring Modulation, Doubled Harmonia Voices and Polyphonic Waveshaping.Trilian 1.5 can now also capture the MIDI data of the arpeggiator as a standard MIDI file, which can be dragged to your DAW for further editing. Also included is an Arpeggiator Preset Library that showcases its creative possibilities. Arpeggiator Update – Trilian’s Arpeggiator has received a major update in v1.5, with new Pattern Modes, Step Dividers, Pitch Slides and the ability to have altered Chord Voicings and Chord Inversions per step. DAW whiz Eli Krantzberg takes you deep into the Trilian bass module showing you the.The update also includes a new “Trilian Creative” library for Omnisphere users. Trilian v1.5 features over 200 new patches and dozens of new features, including major enhancements to Trilian’s Arpeggiator, dramatically expanded synthesis options and an updated interface. Spectrasonics has released an update to Trilian, their ‘total bass’ software synthesizer.
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